shifting topographies.59
2022, pigment print on Hahnemühle paper, collage, 38 x 58 cm
shifting topographies.54
shifting topographies.21
2019, pigment print on Hahnemühle paper, Collage, 38 x 58 cm
Shifting Topographies, 2019 (exhibition view)
2019, inkjet prints, papercut collage, 61 x 100 cm
shifting topographies.09
2019, inkjet prints, collage, 61 x 100 cm
shifting topographies.08 (Detail)
shifting topographies.08
shifting topographies.07
shifting topographies.06 (Detail)
shifting topographies.06
shifting topographies.01
2018, inkjet Print on Fine Art Paper, Collage, 63,5 x 104 cm
Sediments and Sentiments: A State of Erosion (15)
2022, pigment print on Hahnemühle paper, collage, 100 x 70 cm
Sediments and Sentiments: A State of Erosion (14)
Sediments and Sentiments: A State of Erosion (13), Detail
Sediments and Sentiments: A State of Erosion (13)
Sediments and Sentiments: A State of Erosion (12)
Liquid Territory (long run) II
2022, pigment print on Hahnemühle paper, collage, 140 x 100 cm
Liquid Territory (long run) I
liquid territory
2019, wood, inkjet prints, glass, concrete board, collages, sand, 360 x 290 x 120 cm
2019, wood, inkjet prints, glass, concrete board, collages, sand, 360 x 290 x 120 cm 'liquid territory' 2018- ongoing consists of archive materials, correspondences with UN Environmental Program, Global Witness reports, imported sand, collages and scientific texts. The installation was created during the research residency at the NTU Centre of Contemporary Arts Singapore in collaboration with ETH Future Cities Laboratoy. One quarter of Singapore's current island-state’s land area has been artificially built. Starting under British colonial rule, land reclamation quickly became key to Singapore’s development with newly produced land areas. The installation investigates sand mining and land reclamation practices in the South China Sea. It evokes the metropolis as global hub that is stripped from historical and cultural peculiarity. The installation reflects on alternate hinterlands, their shape shifting qualities and the manner through which we can think of them as a multi-layered, three-dimensional structure.
2018, inkjet prints, collage, 40 x 60 cm
